An adapted, easy-to-read edition of Ali Baba and the Forty Thieves - with engaging illustrations throughout. In a forest in Syria, a poor woodcutter called Ali Baba spots a cloud of dust in the distance. Fearing attack, he hides as forty men on horseback unload stolen treasure. Once they are gone, he helps himself. Ali Baba’s fortunes are looking up – until the robbers return and discover they have been, well, robbed. Now their leader will stop at nothing to find who did it, but it won’t be easy with the clever Morgiana out to stop them. About The Easy Classics Arabian Nights Collection: Do you want stories with genies, a flying carpet and a magic lamp? Your wish is our command! Join Aladdin, Ali Baba, Sinbad and others on their thrilling adventures. The Arabian Nights Children's Collection is perfect for young readers to enjoy for a thousand and one nights and beyond … Suitably adapted and illustrated for younger readers aged 7+.

Adapted and illustrated editions of classic Middle Eastern and Asian tales at easy-to-read levels for all ages! Do you want stories with genies, a flying carpet and a magic lamp? Your wish is our command! Join Aladdin, Ali Baba, Sinbad and others on their thrilling adventures. This 10-book set is perfect for young readers to enjoy for a thousand and one nights and beyond … Suitably adapted and illustrated for younger readers aged 7+. Includes QR codes for the FREE audiobooks! This 10-book box set includes adapted and illustrated editions of Aladdin and the Magic Lamp, Ali Baba and the Forty Thieves, Gulnare of the Sea, Prince Camar and Princess Badoura, Sinbad the Sailor, The Fisherman and the Genie, The Magic Horse, The Merchant and the Genie, The Three Princes and the Magic Carpet and Zobeida and the Three Qalandars.

A poetic book highlighting everyday nature. The perfect blend of science and poetry, Hidden City demonstrates that nature can thrive anywhere, even in highly populated areas. In this graceful collection of poems, skyscrapers serve as perches for falcons, streetlights attract an insect buffet for hungry bats, and an overgrown urban lot offers shelter to both flora and fauna. Hidden City also includes engaging supplementary materials, which provide scientific information about the animals and plants featured in the book. Coupled with beautiful collage illustrations, the poems in Hidden City offer readers the perfect reminder to notice and care about their environment.

Sarah Grace is a sexual assault survivor. On 17 July 2019, she fell asleep like any other night. A burglar broke into her apartment and attacked her as she slept. What followed was a fight for her life. That violent assault blew apart her world, reducing everything in it to ashes. From that battle, Sarah has waged many more. She had to fight her way through post-traumatic stress, the social stigma around sexual assault and an archaic court system in her bid to ensure her attacker couldn't do the same to another woman. Some adversities were predictable - nightmares, panic attacks and the devastating loss of self. Others were surprising - toxic social reactions, friends withdrawing and a nightmarish trial that unearthed how heavily the criminal justice system is loaded against victims. Ash + Salt is a raw and powerful account of healing and thriving after sexual assault. Armed with courage and brazen candour, Sarah takes you through her own story to reveal the experience of a survivor. She offers the tools to survive the assault, its aftermath and the trial, and charts the path back to recovery. Because while ash marks the place of devastation, it is also the fertile soil from which new life can grow. This is a book for everyone - not just survivors, but their families, friends and colleagues too. Sexual assault affects us all, regardless of background or gender. It is one woman's personal testimony, but it is also a call to arms. The time to speak up is now.

During the medieval period, people invested heavily in looking good. The finest fashions demanded careful chemistry and compounds imported from great distances and at considerable risk to merchants; the Church became a major consumer of both the richest and humblest varieties of cloth, shoes, and adornment; and vernacular poets began to embroider their stories with hundreds of verses describing a plethora of dress styles, fabrics, and shopping experiences. Drawing on a wealth of pictorial, textual and object sources, the volume examines how dress cultures developed - often to a degree of dazzling sophistication - between the years 800 to 1450. Beautifully illustrated with 100 images, A Cultural History of Dress and Fashion in the Medieval Age presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.

During the medieval period, people invested heavily in looking good. The finest fashions demanded careful chemistry and compounds imported from great distances and at considerable risk to merchants; the Church became a major consumer of both the richest and humblest varieties of cloth, shoes, and adornment; and vernacular poets began to embroider their stories with hundreds of verses describing a plethora of dress styles, fabrics, and shopping experiences. Drawing on a wealth of pictorial, textual and object sources, the volume examines how dress cultures developed – often to a degree of dazzling sophistication – between the years 800 to 1450. Beautifully illustrated with 90 images, A Cultural History of Dress and Fashion in the Medieval Age presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.

Due to the passing of her mother at the young age of seven, Dorothy's world was immediately turned upside down. She experienced feelings of abandonment and rejection from her father when he sent her to live with her older sister. She had not only lost her mother, but her father too. She faced many challenges in her life. From low self-esteem, rape, having three children in three years by the age of twenty-three and the ultimate betrayal by her husband and her church family. Dorothy's story will inspire you by showing you how God will never leave you or forsake you, even when you feel like you will never see the light at the end of the tunnel.

See how the wonders of music played in our minds and hearts. Know the effect of music in alleviation of physiological condition such as anxiety. The therapeutic practice is evidenced by some mythological or historical reflections, which have explained the origins of music in healing. Music Touched the troubled soul of King Saul as David played his harp, the evil spirit departed from him. Music expresses that which cannot be said and on which it is impossible to be silent" by Victor Hugo. Read the miracles of Music in our life.

Twelfth- and thirteenth-century medieval French texts reveal the presence of a developed fashion system long before the previously accepted birth of Western fashion in the mid-fourteenth century. How are we to distinguish between a culture organized around fashion, and one where the desire for novel adornment is latent, intermittent, or prohibited? How do fashion systems organize social hierarchies, individual psychology,creativity, and production? Medieval French culture offers a case study of "systematic fashion", demonstrating desire for novelty, rejection of the old in favor of the new, and criticism of outrageous display. Texts from the twelfth and thirteenth centuries describe how cleverly-cut garments or unique possessions make a character distinctive, and even offer advice on how to look attractive on a budget or gain enough spending money to shop for oneself. Suchdescriptions suggest fashion's presence, yet accepted notions date the birth of Western fashion to the mid-fourteenth-century revolution in men's clothing styles. A fashion system must have been present prior to this 'revolution'in styles to facilitate such changes, and abundant evidence for the existence of such a system is cogently set out in this study. Ultimately, fashion is a conceptual system expressed by words evaluating a style's ephemeral worth,and changes in visual details are symptomatic, rather than determinative. SARAH-GRACE HELLER is an associate professor in Medieval French at Ohio State University.

Welcome to Grosse Pointe, Michigan, where social rank is determined by the age of your money and the dryness of your martini. The new girl in town, Emma Harris, must prove herself hip to the rigid rules of adolescent conformity. The quest for cool, she discovers, is one long final exam. To pass she must be cruel to be kind (ditching her best friend for the popular crowd), dress to impress (trading her favorite Esprit shirt for three plastic bracelets), and master the art of seduction (puckering up with Mulberry Stain or Peaches 'n' Cream lip gloss). Life is all about making choices -- the right ones. Will Emma's social acrobatics put her on the short list for that coveted country club membership? Will the digits of her zip code pass muster? If her parents split up, will the gossip help or hurt her in the rankings? Grosse Pointe Girl serves as an indispensable road map through the dysfunction privilege brings. So put on your Guess? jeans and your jelly shoes and come along for the ride to the adolescent days that time forgot, but you never will.

The best new research on medieval clothing and textiles, drawing from a range of disciplines. The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorativequilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to signal impending conflict in Icelandic sagas, the development and possible construction of the Tudor-era court headdress called the French hood, and the way Cesare Vecellio drew on both existing artwork and the Venetian image to present historical dress in his sixteenth-century treatise on costume. Also included are reviews of recent books on clothing and textiles. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Professor of Anglo-Saxon Culture atthe University of Manchester. Contributors: KATE D'ETTORE, SARAH-GRACE HELLER, THOMAS M. IZBICKI, PAULA MAE CARNS, SARAH RANDLES, MELANIE SCHUESSLER, TAWNY SHERRILL

As a lowly freshman named for "The King," Presley Moran walks high school corridors paved with the stuff of family legend. Her cousin Barry, a senior heartthrob and brainy varsity letterman, insists that looking good on paper is the key to success. But Presley's young aunt Betsi, a former homecoming queen, has her own ideas about good looks and how to use them.
"Can you keep a secret?" Betsi asks Presley, who, at age fourteen, is eager for entree into the adult world of beauty, attraction, and romance. But as Presley is about to discover, some secrets should never be revealed. Will the illicit thrill of being a trusted confidante, privy to the details of muddled entanglements and incompatible desires, be worth the consequences of guilt by association?
Propelled by the crash of falling idols, "The Girl I Wanted to Be" is a timeless and true portrait of passion, loss, and hard-won wisdom.